Memorial Day is in the can and my A/C cut on yesterday for the first time this year, so summer is nigh, and my list of tasks is piling up.  I have to write a new story for a critique-group deadline in two and a half weeks, and I’ll have thirty crits to read/write by mid-July.  I need to spray the last guitar I built with lacquer in the next month before the weather gets too humid, but I’ve got to take it apart and sand it first.  And around all that, I’m working on a big new project that’ll be the first step in my super-villain plan to dominate the world (more on that as it unfolds).  Summer is definitely nigh.

(Shamelessly lifted from my friend and colleague Kate’s blog, with my comments added at the bottom.)

These are the top 106 books most often marked as “unread” by some group’s users. As in, they sit on the shelf to make you look smart or well-rounded. Bold the ones you’ve read, and italicize the ones you own but have not read.

Jonathan Strange & Mr Norrell**
Anna Karenina
Crime and Punishment
Catch-22
One Hundred Years of Solitude
Wuthering Heights
The Silmarillion
Life of Pi : a novel
The Name of the Rose
Don Quixote
Moby Dick
Ulysses
Madame Bovary
Pride and Prejudice
Jane Eyre
A Tale of Two Cities
The Brothers Karamazov
Guns, Germs, and Steel
War and Peace
Vanity Fair
The Time Traveler’s Wife
Emma
The Iliad
The Blind Assassin
The Kite Runner
Mrs. Dalloway
Great Expectations
American Gods
A Heartbreaking Work of Staggering Genius**
Atlas Shrugged
Reading Lolita in Tehran
Memoirs of a Geisha
Middlesex
Quicksilver
Wicked
The Canterbury Tales
The Historian : a novel
A Portrait of the Artist as a Young Man
Love in the Time of Cholera
Brave New World
The Fountainhead
Foucault’s Pendulum
Middlemarch
Frankenstein
The Count of Monte Cristo
Dracula
A Clockwork Orange
Anansi Boys
The Once and Future King
The Grapes of Wrath
The Poisonwood Bible : a novel
1984
Angels & Demons
The Inferno
The Satanic Verses
Sense and Sensibility
The Picture of Dorian Gray
Mansfield Park
One Flew Over the Cuckoo’s Nest
To the Lighthouse
Tess of the D’Urbervilles
Oliver Twist
Gulliver’s Travels
Les Miserables
The Corrections
The Amazing Adventures of Kavalier and Clay
The Curious Incident of the Dog in the Night-Time
Dune
The Prince
The Sound and the Fury
Angela’s Ashes : a memoir
The God of Small Things
A People’s History of the United States
Cryptonomicon
Neverwhere
A Confederacy of Dunces
A Short History of Nearly Everything**
Dubliners
The Unbearable Lightness of Being
Beloved
The Scarlet Letter
Slaughterhouse-Five
Eats, Shoots & Leaves**
The Mists of Avalon
Oryx and Crake : a novel
Collapse : how societies choose to fail or succeed**
Cloud Atlas
The Confusion
Lolita
Persuasion
Northanger Abbey
The Catcher in the Rye
On the Road
The Hunchback of Notre Dame
Freakonomics**
Zen and the Art of Motorcycle Maintenance
The Aeneid
Watership Down
Gravity’s Rainbow
The Hobbit
In Cold Blood
White Teeth
Treasure Island
David Copperfield
The Three Musketeers

Scott muses: this is an odd list–lots of classics but also lots of modern pseudo-literary flavors-of-the-month. Many of the classic authors have multiple titles–Austen, Dickens, Dostoevsky. But many others only have one–Melville, Pynchon, Faulkner (who wrote 19 novels, compared to Austen’s six). There are a couple genre novels, but Dune and The Hobbitt are staples of their respective subgenres, not books that non-genre people keep around to look cool (Stranger in a Strange Land, anyone?).

So these are some vacuous people who think owning lots of Austen but only one Faulkner makes you look smart. For extra flavor, I added ** next to the titles that are particularly vain modern literati tripe.  :)

Or perhaps cornering mice there, but she was more the type who liked to eye birds from a little ways away. She had been seriously ill for several weeks, but the end was still sudden and unexpected. She was sweet, not very bright, never suspicious, and always friendly to everyone. Our lives will be a bit duller and a bit emptier without her.

Last weekend I attended agent and writing lecturer Don Maass’s High Tension Workshop in Austin, TX. His whole “tension” idea is to make every paragraph in a work, of any type of narrative, so compelling a read that the reader can’t put it down. I found his strategies immensely interesting, partly because he presented them as a tool to be used wherever the writer sees fit. Some of them were based on anticipation or playing with reader expectations. Many others were rooted in the character, which is my favorite aspect of fiction.

Maass was a very engaging lecturer and knew his material thoroughly, using many examples from best-selling novels. Austin was also quite cool–we were at the north end of town, but I still found a cool brewpub called North by Northwest and a sampler six-pack of local ales from Blanco, TX. All in all, a damn fine weekend.