Want to win a free copy of Space and Time Issue 114?  The one that has my story “The Very Strange Weird of Endart Sscowth” in it?

I’m going to give away a free copy tomorrow afternoon, on my Facebook page.   I’ll ask a question about something from the story (you won’t need to have read it to figure out the answer).

For the first person who leaves a comment with the right answer, I’ll send you a free copy of the issue.  Hell, I’ll even sign it if you like, but that might lower its value rather than increasing it. :)

So drop by my Facebook page tomorrow (Wednesday) around 2pm Eastern time.  Good luck!

I will be at Balticon this weekend.  I’ve been to Baltimore many times but this will be my first Balticon.

I have a reading Saturday at 3 PM.  Not sure yet what I’ll read–perhaps my short satire piece forthcoming in Space and Time #114 this summer, or my “slipstream + armor” piece that’s forthcoming in On Spec.

I also might be on a panel Sunday evening (I don’t know yet). Otherwise I will be roaming the halls with a stack of shiny BCS flyers and, of course, in the bar. :)

The epic fantasy realm of the blogosphere is lately agog over a screed from Leo Grin, a Robert E. Howard scholar and Tolkien devotee who recently derided the modern wave of darker or gritty epic fantasy as “bankrupt nihilism.” Several epic fantasy authors have countered, rightly rejecting this shallow criticism of their approach, but none have noted what I see as the key value of this grittier or more visceral feel.

The boom in more visceral epic fantasy coincided with the late-90s success of George R.R. Martin, its first major practitioner, and its subsequent proliferation can seem mercenary.  In cases where bereft of any purpose or handled with callow ineptitude, it can be gratuitous if not exploitative.

But in the hands of an award-winning master like Martin, it can illumine universal insights.  When one of his characters has his hand brutally lopped off, thereby losing the expertise and persona that formed his entire self, the change forced onto him and the inner journey he takes to try to overcome it result in one of the most profound explorations of the human condition ever achieved in fantasy literature.  That grit isn’t nihilist.  It’s a poignant literary example of how even a despicable person can have humanity at their core, and even the ripping away of all that a person values most can inspire them onto a path toward redemption.

This visceral realism, including the sexual and scatalogical, is the most powerful vehicle for placing the reader into a fantasy world and into the shoes of the characters inhabiting it–in short, for making epic fantasy evoke the human condition.

Yet Grin posits that “Realism isn’t a primary concern in great literature.” That’s where he’s most wrong.  Realism isn’t important in escapist entertainment, such as Howard (yes, Howard was and is just that, although uniquely original and very very good).  But if discussing true literature in any period since the mid-20th century, the foundation is Faulkner’s comment in his 1950 Nobel acceptance speech:  “the human heart in conflict with itself… only that is worth writing about.”

Which is the human condition–what it means to be who we are.  Without that, epic fantasy–indeed, any fiction–becomes just more escapist entertainment.

This weekend I will be at Boskone, the Boston-area F/SF convention. I’ve been for the last several years and have enjoyed it (and returning to two of my favorite brewpubs and small breweries).  I will be on several panels, including one Saturday at noon on Sword & Sorcery Today–a very cool topic similar to the panel I moderated at Word Fantasy.

I will also be hosting a reading for my magazine, Beneath Ceaseless Skies, on Sunday at noon (note the change from the earlier schedule).  Several authors from the magazine will read their stories that will be appearing in BCS this spring.

Drop by and give them a listen. And if you see me in the halls, feel free to say hello!